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Victory Is Mine
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You've selected:
Victory Is Mine
Sheetmusic to print
25 sheet music found
<
1
Victory Is Mine
Victory Is Mine
#
Guitar notes and tablatures
#
ADVANCED
#
Sacred music
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Alvin Darling and Dorothy Norw
#
Daniel Roberts
#
Victory Is Mine
#
Daniel P Roberts
#
SheetMusicPlus
Guitar - Level 5 - SKU: A0.1114474 Composed by Alvin Darling and Dorothy Norwood. Arranged by Daniel Roberts. Praise & Worship,Religious,Sacred,Spiritua...
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Guitar - Level 5 - SKU: A0.1114474 Composed by Alvin Darling and Dorothy Norwood. Arranged by Daniel Roberts. Praise & Worship,Religious,Sacred,Spiritual,Traditional. Guitar Tab. 4 pages. Daniel P Roberts #716358. Published by Daniel P Roberts (A0.1114474). Transcribed with 4 variations for 5-String Bass. Gospel toe-tapper. Victory is mine, Victory is mine, Victory today is mine. I told Satan to get thee behind, Victory today is mine. Victory is mine, Victory is mine, Victory today is mine. I told Satan to get thee behind, Victory today is mine. Joy is mine, Joy is mine, I know that joy is mine. I told Satan to get thee behind, I know that joy is mine. Happiness is mine, Happiness is mine, Happiness today is mine. I told Satan to get thee behind, Happiness today is mine.
$4.99 ≈
4.66€
Victory Is Mine (with "Victory In Jesus") - Full Score
Victory Is Mine (with "Victory In Jesus") - Full Score
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Harold Ross
#
Victory Is Mine
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Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499519 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 10 pages. Duration 220. Hal Leonard - Digita...
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Choir,Choral - SKU: HX.499519 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 10 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499519).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus") - Rhythm
Victory Is Mine (with "Victory In Jesus") - Rhythm
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499524 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 4 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499524 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 4 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499524).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus") - Bb Trumpet 2,3
Victory Is Mine (with "Victory In Jesus") - Bb Trumpet 2,3
#
Trumpet (band part)
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499521 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499521 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499521).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus") - Bb Trumpet 1
Victory Is Mine (with "Victory In Jesus") - Bb Trumpet 1
#
Trumpet (band part)
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499520 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499520 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499520).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus")
Victory Is Mine (with "Victory In Jesus")
#
Choral SATB
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.499518 Arranged by Harold Ross. This edition: scorch. Hymn. Octavo. 14 pages. Duration 220. Hal Leonard - Dig...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.499518 Arranged by Harold Ross. This edition: scorch. Hymn. Octavo. 14 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499518).
$1.95 ≈
1.82€
Victory Is Mine (with "Victory In Jesus") - Trombone 3/Tuba
Victory Is Mine (with "Victory In Jesus") - Trombone 3/Tuba
#
Trombone (band part)
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499523 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499523 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499523).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus") - Tenor Sax (sub. Tbn 2)
Victory Is Mine (with "Victory In Jesus") - Tenor Sax (sub. Tbn 2)
#
Saxophone (band part)
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499525 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499525 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499525).
$7.00 ≈
6.53€
Victory Is Mine (with "Victory In Jesus") - Trombone 1 & 2
Victory Is Mine (with "Victory In Jesus") - Trombone 1 & 2
#
Trombone (band part)
#
Harold Ross
#
Victory Is Mine
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.499522 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital...
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Choir,Choral - SKU: HX.499522 Arranged by Harold Ross. This edition: scorch. Hymn. Choral Instrumental Pak. 3 pages. Duration 220. Hal Leonard - Digital #888950. Published by Hal Leonard - Digital (HX.499522).
$7.00 ≈
6.53€
Victory Is Mine by Dorothy Norwood - Piano/Vocal/Chords
#
Piano, Voice
#
Dorothy Norwood
#
Victory Is Mine
#
Musicnotes
Performed by: Dorothy Norwood: Victory Is Mine Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Performed by: Dorothy Norwood: Victory Is Mine Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Voice 1;Voice 2;Voice 3;Piano; 2 pages -- Gospel~~Black Gospel~~Contemporary Gospel
$5.50 ≈
5.13€
50 Favorite Hymns Piano Accompaniment Tracks
50 Favorite Hymns Piano Accompaniment Tracks
#
Piano solo
#
Sacred music
#
Gospel/Spiritual
#
Chris Cooke
#
50 Favorite Hymns Piano Accomp
#
Chris Cooke
#
SheetMusicPlus
Piano - SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published...
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Piano - SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97 ≈
9.30€
50 Favorite Hymns for Solo and Duet Instruments--Tuba
50 Favorite Hymns for Solo and Duet Instruments--Tuba
#
Tuba
#
Sacred music
#
Gospel/Spiritual
#
Chris Cooke
#
50 Favorite Hymns for Solo and
#
Chris Cooke
#
SheetMusicPlus
Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...
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Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97 ≈
7.44€
Jogo de Cartas (for Tenor Sax and Piano)
Jogo de Cartas (for Tenor Sax and Piano)
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Tenor Saxophone and Piano
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ADVANCED
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. ...
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Piano,Tenor Saxophone - Level 5 - SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.” I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.” If both players play an identical value, a “war” is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,” and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps” the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99 ≈
10.25€
Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan María Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00 ≈
23.33€
Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pag...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
30.79€
Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan María Solare. By Juan María Solare. Arranged by Juan María Solare. 20th Century,Classical,Conte...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan María Solare. By Juan María Solare. Arranged by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
30.79€
Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts]
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00 ≈
30.79€
Harold Ross: Victory Is Mine (with "Victory In Jesus") (COMPLETE) - orchestra/band
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Orchestra
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INTERMEDIATE
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Christian contemporary
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Harold Ross
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Virtualsheetmusic
Instantly printable sheet music by Harold Ross for orchestra/band of MEDIUM skill level. / christian,gospel,sacred,hymn
Instantly printable sheet music by Harold Ross for orchestra/band of MEDIUM skill level. / christian,gospel,sacred,hymn
$32.99 ≈
30.78€
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Victory Is Mine
